La nada como torsión y límite de la modernidad. Pensar desde la experiencia de la guerra el comienzo. Sobre los textos ontohistóricos de Heidegger del 41

Abstract

This article tries to bring the Heidegerian conceptualization of Modernity in the oper The Event until the place where Heidegger produces a twisting from the “will to willing†to the correspond to Being through experiencing the patience and serenity for resonating of Beginning and making possible the knowing of beginning. Finally, this text proposes a rapprochement between Heidegger and the Kyoto School concerning the beginning.